Macro extension tubes and close-up lenses are devices that add high magnification capabilities to virtually any camera lens. This can give a whole new range of subject matter to your existing camera equipment. However, it's often unclear exactly how much magnification you'll gain, in addition to whether one of the other macro options will provide a better solution for your needs, such as purchasing a dedicated macro lens.


An extension tube is simply a hollow cylinder that fits in between your camera and lens, causing the lens to move further from the sensor. This additional distance allows your lens to focus more closely, which in turn provides more magnification capability. Unlike most lens accessories, extension tubes don't add any extra optics, and are therefore relatively inexpensive, simple devices.

diagram of subject magnification versus lens extension
Choose a Magnification: 1:2 (0.5X) 1:1 (1.0X)

Note: Diagram assumes that the lens is symmetric (pupil magnification = 1).

An extension tube increases lens magnification by an amount equal to the extension distance divided by the lens focal length. For example, adding a 25 mm extension tube to a 50 mm lens will give a magnification gain of 0.5X. Therefore, if the lens's original magnification was 0.15X, then the new magnification will be 0.15X+0.5X=0.65X. The closest focusing distance will also decrease to ~210 mm.

quarter macro with 50 mm lens quarter macro with 25 mm extension tube
0.15X Max Magnification
with typical 50 mm lens
0.65X Max Magnification
after 25 mm extension tube

Note: above example is shown using a full frame camera and a Canon EF 50 mm f/1.4 lens.

All camera lenses have some amount of native extension, which is used to focus on everyday objects. Lenses with closer focusing distances usually have more native extension, but these will also benefit less from extension tubes. Try experimenting with different lenses in the calculator below to see how extension affects magnification:

 Native Magnification X
 Lens Focal Length   mm
 Total Extension Tube Amount   mm
    New Magnification
    New Closest Focusing Distance*

*measured as the distance from the camera's sensor to the subject

Note how extension tubes provide minimal magnification when used with telephoto lenses -- which is unfortunately their main weakness.

canon extension tube

An extension tube is usually specified in terms of its extension length in millimeters. Most manufacturers provide a range of extensions from 8-35 mm, although multiple extension tubes can be stacked to increase the extension even further. Examples include the Canon 25 mm EF II, the Nikon 8 mm PK-8 and the Kenko DG 12 mm, amongst many others. Extension tubes also usually include basic electronics to pass through signals between the lens and the camera body (such as for autofocus).

Important considerations. Image quality shouldn't be a factor when deciding between different brands of extension tubes (all use the same low dispersion air). However, build quality may be an important consideration -- particularly if you plan on using it with a heavy telephoto lens. Additionally, older extension tubes don't always work with newer lenses designed for cropped SLR sensors.


While extension tubes are an amazingly flexible solution, they're not always the best option for your photography. One should weigh the pros and cons appropriately:

Extension Tube Advantages

Extension Tube Disadvantages

If any of the above disadvantages has the potential to be a problem, it's worth considering using either a dedicated macro lens or a close-up filter (next section).


canon close-up lens

Close-up lenses are special lenses that screw onto the front of your lens like an ordinary camera lens filter. They're basically just a sophisticated magnifying glass that's placed between your lens and the subject. It's for this reason that they're also often called "close-up filters."

A close-up filter works by decreasing the effective focal length of whatever lens they're used on. This decrease in focal length means that the extension has to increase correspondingly -- which ends up magnifying the image similar to if one were to have used an extension tube:

focal length & extension diagram without close-up filter focal length & extension diagram with a close-up filter
Without a Close-up Filter With a Close-up Filter

A close-up filter is usually specified in terms of "diopters," which is a measure of their magnifying power. Higher numbers yield more relative magnification on a given lens, but image quality also tends to decrease correspondingly. Typical values range from +2 to +5 diopters, although multiple close-up lenses can be combined to increase this further.

 Native Magnification X
 Lens Focal Length   mm
 Power of Close-up Filter   Diopters
    New Magnification
    Effective Focal Length

Note how close-up filters increase magnification much more when used with longer focal length lenses. For example, a 50 mm lens requires +10 diopters to achieve a magnification gain of just 0.5X, whereas a 200 mm lens requires only +2.5 diopters. Conversely, a given close-up lens might be too powerful (and decrease image quality too much) when used on a 200 mm telephoto lens, but might be just right on an 80 mm lens.


As with extension tubes, it's important to weigh the unique pros and cons of adding a close-up lens to gain magnification:

Close-up Lens Advantages

Focal Length
—> with
Extension Tubes
Close-up Lenses
12 mm 25 mm +2 Diopters +4 Diopters
50 mm 0.15X 0.39X 0.65X 0.25X 0.45X
100 mm 0.14X 0.26X 0.39X 0.34X 0.54X
200 mm 0.16X 0.22X 0.29X 0.56X 0.96X

Lenses used for above comparison:
Canon EF 50 mm f/1.4 USM, Canon EF 100 mm f/2.0 USM, Canon EF 200 mm f/2.8 II USM

Close-up Lens Disadvantages


While extension tubes and close-up lenses are the two most common ways to increase magnification, other options exist. Popular alternatives include the following:

Teleconverters. Even though these are typically used to increase a lens's focal length, they're also a popular way to increase magnification. The teleconverter multiplier directly correlates with the increase in magnification; a 2X teleconverter therefore doubles the maximum magnification. Disadvantages include (i) a loss in image quality and (ii) an increase in the len's minimum f-stop (max aperture), which may prevent a camera from being able to autofocus.

Bellows. These are basically adjustable length extension tubes. They're typically much more expensive than normal extension tubes, but also often enable your lens to make tilt/shift movements to reposition the depth of field. However, bellows can be quite cumbersome, so studio/tripod use is usually a requirement.

Reversing Rings. These allow your lens to be mounted in the reverse direction. They attach to your camera where you would normally mount the lens; your lens's front filter mount then screws onto the reversing ring, causing the inner (and normally hidden) part of your lens to face outward. Shorter focal length lenses will allow for closer focusing distances and higher magnification. The main disadvantage of reverse rings is that they result in an extremely narrow range of distances which can be in focus. Other complications potentially include the loss of aperture control and autofocus.

Cropping. You can enhance the size of a subject in a print by simply cropping the image. This is an easy and powerful option if you have some extra resolution to spare (which is increasingly the case with today's high megapixel cameras).

If any given lens add-on provides insufficient magnification, it's also common to see macro photographers combining/stacking multiple add-ons. One could use a teleconverter along with an extension tube, for example, or a bellows in addition to a close-up lens.

For a more general overview of macro lenses, also see the tutorial on:
Macro Lenses: Magnification, Depth of Field & Effective F-Stop
For an introductory article, also see the Introduction to Macro Photography Technique

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